
I shoot houses, facilities and communities for property developers — composed for every channel, retouched and delivered ready to publish. Full coverage of home types, amenities, interiors and drone, from a photographer who thinks like your marketing team.
A property shoot has to serve sales galleries, brochures, billboards and a year of social content. I plan every project around how the image will actually be used.
Every project is shot by home type and by function — living, kitchen, master, kids' room, facade — plus clubhouse, gym, co-working, park, playground and gate. Nothing your sales team needs is missing.
Each frame is shot with crop-safe space so one image works as a 16:9 hero, a 4:5 feed post, a 1:1 grid tile and a 9:16 story or Reel — without re-shooting.
Wide frames sell the space and the architecture; close-ups sell the feeling — light, materials, the small details that make a home feel like home. You get both, on every set.
Aerial, exterior, interior and post-production are all handled by me. Consistent look, one point of contact, files that arrive graded, cleaned and ready to publish.



















































































































Over roughly a year of production I photographed 33 developments for one of Thailand’s largest residential developers, end-to-end — every home type, every shared facility, drone coverage and full retouch — delivered as a ready-to-use library the marketing team could deploy across sales galleries, print and social.
Before focusing on property and hospitality, I spent 11 years at Chamni’s Eye — one of Thailand’s most respected commercial studios — shooting, filming and retouching for the country’s biggest agencies. That advertising rigour is exactly what I bring to every property shoot.
High-resolution masters for print plus web-optimised exports, organised by home type and facility so anyone on the team can find a shot in seconds.
Key images delivered in 16:9, 4:5, 1:1 and 9:16 on request — a hero shot becomes a full week of content with zero rework.
Exterior, interior, amenities and drone from one shoot day, with retouching handled in-house for a single, consistent look.
I'm Eak Piti — a photographer, cinematographer and visual director with over a decade in high-end commercial and advertising production, and founder of Naipiti Co., Ltd. That advertising background makes the work production-driven and detail-obsessed: precision lighting, controlled environments and clean, consistent frames.
I create refined visual assets for property and luxury-hospitality brands — developers, hotels and resorts — built for brand perception and commercial performance across every platform: brand and corporate websites, OTA listings, marketing campaigns and sales materials, and social content in both 9:16 and 16:9. From concept and on-set direction to post-production, I oversee the full workflow across stills and motion — delivered with reliability, speed and a premium standard.
Working across 33 residential developments end-to-end sharpened how I think for property teams: how each home type differs, and how a single shoot has to serve a full year of channels — sales gallery, print, web and social alike.

I'd love to help your team build a visual library that works as hard as your marketing does. Available for residential, architectural and interior shoots.
One frame, every channel.
Because I compose with cropping in mind, a single hero image travels across your whole content calendar — website, feed, grid and stories — at full quality, with no awkward crops or re-shoots.
Same photograph · web-ready file sizes · framed so the subject survives every ratio.